{"id":26,"date":"2023-02-16T19:06:05","date_gmt":"2023-02-16T19:06:05","guid":{"rendered":"https:\/\/medoledavedere.it\/?page_id=26"},"modified":"2023-03-01T18:24:33","modified_gmt":"2023-03-01T18:24:33","slug":"la-pala-del-tiziano","status":"publish","type":"page","link":"https:\/\/medoledavedere.it\/en\/la-pala-del-tiziano\/","title":{"rendered":"The altarpiece by Titian"},"content":{"rendered":"<h2><\/h2>\n<figure id=\"attachment_27\" aria-describedby=\"caption-attachment-27\" style=\"width: 1726px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-27\" src=\"https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2.jpeg\" alt=\"\" width=\"1726\" height=\"2339\" srcset=\"https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2.jpeg 1726w, https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2-221x300.jpeg 221w, https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2-756x1024.jpeg 756w, https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2-768x1041.jpeg 768w, https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2-1133x1536.jpeg 1133w, https:\/\/medoledavedere.it\/wp-content\/uploads\/2023\/02\/image-2-1511x2048.jpeg 1511w\" sizes=\"(max-width: 1726px) 100vw, 1726px\" \/><figcaption id=\"caption-attachment-27\" class=\"wp-caption-text\">Christ appearing to His Mother after His\nResurrection<\/figcaption><\/figure>\n<p><span data-contrast=\"none\">Since the mid-sixteenth century this altarpiece has dominated the presbytery from\nbehind the high altar in the Parish Church.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Tiziano (Titian) Vecellio (Pieve di Cadore 1490ca. \u2013 Venice 1576) painted this work\nin his old age, presumably around 1554.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The painting was probably a gift from the great artist in gratitude for the long years\nduring which he enjoyed the parish benefit assigned by the Duke of Mantua first to\nthe painter\u2019s son Pomponio and then to his nephew. Titian\u2019s late work expresses his\npictorial wisdom and craft, especially in the powerful figure of Christ, who lovingly\ndirects his gaze on to His kneeling Mother, surrounded by vibrant light, which is the\nhallmark of immortal Vecellio.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Important critics, such as Panofsky (1969), also point out the exceptional quality of\nthis altarpiece from a theological perspective, and suggest a resemblance with another\npainting by Titian, \u201cCristo coronato di spine\u201d (The Crowning with Thorns), housed in\nthe Mus\u00e9e du Louvre, as well as with Michelangelo\u2019s style.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The altarpiece shows the figure of the risen Christ in the centre, and the kneeling\nVirgin in adoration. To the left, behind Christ, the work also shows four figures in\nsemi-darkness, respectively, Noah, Abraham, Adam carrying Christ\u2019s cross, and Eve.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The presence of these characters has made it difficult to grasp the theological\nsignificance of the painting.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">This is the only altarpiece by Vecellio left in the Mantuan area to this day.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">The canvas, exhibited for the first time at Ca\u2019 Pesaro in 1935, formed part of the\nmajor retrospective of the artist\u2019s work in Venice. It appeared in Palazzo Ducale (The\nduke\u2019s Palace) in Mantua as part of the 1974 exhibition \u201cTesori d\u2019arte nella terra dei\nGonzaga\u201d (Treasures of art in the land of the Gonzagas).<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">On the night between 25 th and 26 th April 1968 the painting was stolen but found again\non 12 May the same year; the work was badly damaged in the theft and was\nsubsequently sent to the Istituto Centrale del Restauro in Rome and returned to the\nchurch on 22 nd September 1971.<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">\u202f<\/span><span data-ccp-props=\"{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;201341983&quot;:2,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559738&quot;:0,&quot;335559739&quot;:0,&quot;335559740&quot;:252}\">\u00a0<\/span><\/p>\n<p><span data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:200,&quot;335559740&quot;:276}\">\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Dalla met\u00e0 del &#8216;500 domina il presbiterio da dietro l\u2019altare maggiore, nella Parrocchiale.\u00a0 Tiziano Vecellio (Pieve di Cadore 1490ca.- Venezia 1576) dipinse questa opera in et\u00e0 avanzata presumibilmente attorno al 1554.\u00a0 Il quadro probabilmente giunse come dono dal grande pittore, come segno di riconoscenza dei tanti anni in cui godette del beneficio parrocchiale, assegnato dal [&hellip;]<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","hide_page_title":"","footnotes":""},"class_list":["post-26","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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